Hit the Heights
By
Stacee Sledge
Whatcom Magazine, Spring 2005
Hometown talent rises
to the top in Edgemoor home
Marda Kaiser hoped
she wouldn’t need to search
Seattle
for a big-name architect to build a cutting-edge house
in
Bellingham.
Her hunch proved right. By looking to local talent, she
and her husband, Greg, created a stunning yet intimate
home that showcases spectacular views and regional art.
When the Kaisers, who
both work in the industrial food ingredient business,
purchased their Edgemoor lot in 1996, it included
finished house plans. But the site, hovering high atop a
rock-covered hill, proved too much for the somewhat
staid blueprints, which were meant for flat land.
So the couple hired
Bellingham’s Zervas Group Architects to design a home to
spotlight their collection of Northwest paintings.
“When I first
started, I asked them for three bedrooms, two baths and
a place to hang the bit of art that I’ve collected,”
recalls Marda Kaiser. What evolved was a striking
contemporary Northwest home mixing glass, steel,
concrete, wood and natural stone. “I ended up with so
many walls, I had to get more art,” she says with a
laugh.
The foyer of the
house functions as an art gallery, two open stories
traversed by a walkway bridge. Paintings by John Cole,
Leo Adams, Susan Bennerstrom, Barbara Sternberger and
Tim Schumm line the interior walls, mirrored in an
exterior wall of glass supported by five massive cedar
logs that climb the full height of the space.
Light streams down
from large skylights and bounces off the catwalk’s
bamboo floor and the travertine marble of the gallery
below. Radiant heating keeps both warm.
“I think it’s the
flagship house on Edgemoor,” says John Westgate, finish
carpenter for Moceri Construction, a
Bellingham
custom-home builder who was the contractor on the
project. “The landscaping, the siting, the
on-the-edge architecture, the angles. It’s a very
dramatic house.”
And one that faced
many obstacles during planning and construction.
“One of the most
specific challenges was the site itself,” says architect
Sharon Robinson of Zervas Group Architects, a
four-partner firm founded in 1961. “The house is really
perched on a rock. We had to make it look like it fit
there — not like it just flew in from outer space.”
“Also, it’s basically
a 270-degree water view, looking down into Chuckanut Bay
or out toward the islands or up into
Bellingham
Bay,”
continues fellow architect Terry Brown. “When you’ve got
so many view opportunities, it’s important to determine
which interior spaces get which views.”
The public spaces —
the living, dining and kitchen areas — aim toward
wide-open vistas of the San Juan Islands, while the
guest bedrooms and bathroom overlook the smaller-scale
curves of Chuckanut Bay. “The private spaces have the
more cozy view and the public spaces have a more
expansive one,” says Robinson.
Another challenge
facing the team was the high winds that swirl around the
house.
This meant some
intense weather conditions for the construction crew.
“When it was in the framing stages, without a roof on, I
did a lot of the log work in the front entry,” says
Westgate. “It was a very demanding site to build on and
we had to do it in very inclement weather: 33 degrees
and 40-mile-an-hour winds, with rain and sleet just
battering us.”
An additional
conundrum in the home’s design involved how to include a
towering wall of windows along the gallery side but keep
the home structurally sound. The answer? Several
concrete walls.
“The walls go from
the foundation all the way up through the house, serving
as lateral support and structural earthquake
resistance,” says architect Brown.
“Instead of hiding
the concrete, we chose to expose and stain it, which
Marda was a little bit nervous about. Because when you
tell someone, ‘We’re going to expose concrete,’ they
think it’s going to look like a parking garage.”
Interior designer
Tirzah Woods, of Woods Design Studio, helped the Kaisers
envision what the concrete could become. She found the
right craftsperson — concrete artist Paul West of
Seattle — who took inspiration from stones on the site and wood
tones used throughout the home. Five different paint
colors, applied in three layers, completed a soft,
finished look.
“When the walls were
just gray, they scared the heck out of me,” says Marda
Kaiser. “But it has become my favorite feature of the
house. Everyone who comes in seems to like the concrete
walls the best.”
Woods and Marda
Kaiser teamed up for most of the interior design
decisions.
“She wanted things to
be relatively simple, an Asian influence with clean
lines,” says Woods. “We worked together really well and
talked pretty much everyday. Marda would call me with
something she’d seen and ask, ‘What do you think of
this?’ and I’d do the same.”
One find was a
stainless steel Asian soaking tub, installed in the
master bath. “I would have bought it even if it didn’t
work,” the homeowner laughs. “It’s such a beautiful
shape.”
At 4,200 square feet,
including the entry gallery area, the house has a living
area of roughly 3,200 square feet. “There are a lot of
big open spaces, but it’s a cozy house because of the
little living areas,” says Marda Kaiser.
Adding to the comfort
quotient are custom-made shoji screens, which slide
closed like pocket doors to shut off areas of the house
for privacy during parties. When left open, the spaces
flow together seamlessly.
“This house was a
great vision by the architects,” says Paul Moceri,
president of Moceri Construction since its 1974 start.
“Marda could see that vision and gave them and us the
freedom to mold it more or less in process. It was
almost like a music piece that you put together.”
Kaiser understood how
important trust in the team was.
“My personal
philosophy is, if you’re going to hire a professional,
then let them do what you hired them for,” she says.
“Don’t second-guess them; trust them to do the best
job.”
That approach
reflects the results, a comfortable home that
capitalizes on the site’s beauty. “The feeling was one
of such camaraderie,” says Marda Kaiser. “It was a great
group of people. And I’m so pleased with what everyone
has done here.”
Stacee Sledge is a
Bellingham
freelance writer.
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